Chair Fortification

Year: 2014


How do we participate through the absence from the scene? How dose scenes function from locations to everyday screens? Through re-enactment, re-constructing one of the icon from 318 student protest in Taiwan, this work is trying to bring out questions of tactical strategy between function and aesthetic in-between participatory social event and gallery space. From the experience of being physically absent from the event, how can participants extend or move the delayed residue from the event, in and out of various spaces?